Hello again dear readers.
So today I thought I would try something else new to help me to stay motivated to see exhibitions throughout the year. So to start off my own Exhibitions Review, I will talk about the newly opened The Sound Of Silence exhibition by New York based artist, Alfredo Jaar.
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| The Sound of Silence 2006 Wood structure, aluminum, fluorescent tubes, LED lights, flash lights, tripods, video projection Software designed by Ravi Rajan Installation view at école des Beaux Arts, Paris 2011 Photographer: Charles Duprat Artist: Alfredo Jaar |
As most exhibitions start off, there were speeches of thanks and gratitude to the museum and the artist and all the people involved in the organisation of the exhibition. There were free drinks and a surprisingly upbeat DJ present, and a large crowd of students, art-lovers, hipsters and the like hovering around the drinks tables. After the (thankfully) short speeches, we made our way into the gallery space.
We were met with a shockingly bright wall of light facing the entrance of the main gallery, made up of rows of vertical fluorescent light bulbs, Not only was this a shock to the senses of each visitor to the gallery, but it also heightened the intrigue surrounding this exhibition. This wall of light was part of a rectangular structure in the center of the gallery, and formed the exterior back wall of this room within a room. A queue was formed alongside the wall of the gallery for people to view this installation.
About 20 people were let into the room at once, and we were asked to switch off our cellphones. We proceeded to walk around the room and walk in through a small entrance illuminated by a strip of green light. What was inside this room was essentially a small theatre, with both standing and room to sit. We positioned ourselves at the back corner. The lights, which were already dimmed, switched off completely as a small film began to play.
Now I am not going to ruin this artwork and explain every detail of the film, as it is best experienced within the artwork itself. But to simplify things, the film is about photographer Kevin Carter.
So now I will share with you some of my thoughts on this exhibition.
I felt like this was truly a remarkable piece and I would highly recommend that anyone who is able to get to the museum to view this work seizes the opportunity. While most of us are used to the shock appeal that most artworks generate, this installation is a refreshing depart from shock-appeal towards a more poignant need to create an impact on the audience. This impact is created from the moment the viewer enters the space and is affronted with this immediate bright, conflicting and intruding, wall of light. Viewers of the work are forced to face this light while waiting to view the artwork, and the light certainly creates an atmospheric tension surrounding the gallery.
The actual film is simple, poignant, tense and highly effective for the message it is trying to convey. I don't know about the other people who attended the exhibition, but I know that while watching this film I felt infuriated, and at the same time, hollowed by the content of the film. I left the exhibition with a profound sense of loss, and having experienced in the smallest of ways what it would have been like to be the "victim" of the photographer. This exhibition definitely made me consider photography as an act of violence and destruction, to both the photographed subject and the photographers themselves.
The exhibition closes on the 10th of April 2016 and the gallery hours are Wednesdays to Sundays from 10h00 until 16h00. The entrance to the gallery is free and the museum is situated on the corner of Jorissen Street and Jan Smuts.
Until we meet again
Talia
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