Processes and Transparencies

Hello there dear readers

I apologise for missing out on a post last weekend. It was a ...turbulent time to say the least. But here I am and it's time for a new post.

So dear readers, let me share with you what I've been up to since I've gone back to varsity this year. So in third year, the second last year of the Fine Arts degree I am studying, we are considered to be "senior" art students, and therefore capable of setting our own projects and briefs to work with. This is a huge jump from first and second year, where the lecturers would decide upon the topic and the artwork we created was thus a response to this topic.

So let me share with you my thought process behind the project I've been working.

I have been interested in typography since a happy accident with typography in First Year. As regular readers of my blog will know (and if you're new, welcome to my blog and have a look here to see my work), I've worked extensively with the medium of typography over the last two years, and of course given the freedom of subject matter and medium, now I have full reigns to work with typography.

So for this particular project, I decided to relate typography to the idea of access. So when is writing accessible to people, and when is it not? I wanted to play around with ideas of English being perhaps a more accessible language to understand (within a university context) than the language of the artwork. And how I could refuse the viewer access, or certainly make it intentionally more difficult for the viewer to relate to and actually access or understand the work.

How I decided to go about this was to use transparency sheets to write on:

These sheets were my own personal feelings, thoughts and emotions, as well as opinions about how I feel being an art student at an art school is quite inaccessible and the frustrations of being in art school. 

After this process, I then wanted to suspend these sheets from the ceiling of my studio space:

As you can see... this was somewhat untidy and well... the sort of baby steps towards an actual installation. So after this I decided the bulldog clips and looked terrible, so I refined it a bit using beading crimps to tie the transparency sheets:

This looks a LOT better, but something was still bothering me about this format. After speaking to my lecturer, we kind of concluded that it was because they were at eye-level. It was too easy to engage with them on an artistic level and not to mention that the lighting wasn't as effective... so to combat this I decided to hang them differently...

Now here I had caught onto something that really worked. I loved the way the light diffused the transparency sheets and the words themselves, and as you can see in the first picture, it was infinitely more successful than I would have guessed before. But alas it still needs a bit of tweaking, which I will share with you this coming weekend, dear readers.

Until we meet again
Talia